User blog comment:Vel!/Music/@comment-5150073-20140503054608/@comment-25418284-20140503060735

There are some points in Gangnam Style where the musical phrases get shorter and shorter and hits double in speed, followed by a break and a return to the original beat. Goucher interprets these as type-\(\omega\) limit points; I think this is a humorous aesthetic analogy more than a serious musical definition.

Although Gangnam Style is not a good example, I still think it's possible to create a work of music where all the timing is structured after ordinals. Imagine Goucher's "sound of \(\omega^4\)" (which itself is a sort of experimental work of music!) with each clap replaced by a musical event.